Fuji X10 Camera Review
November 2011
(updated August, 2012)
(Update
- The Edison NJ repair center sent me a brand new
X10 with a newly designed sensor. I did a full test of
the camera and I am happy to report the blooming effect
which created the white dots (orbs), is no longer an
issue. I have not noticed any difference in image
quality between the old and new sensor so I have not
made any changes to my original review).
The Fujifilm X10 was announced
in September 2011 and shipped early November in the
US. This is an enthusiast compact camera. It features an
F2.0-2.8 28-112mm equivalent, image stabilizing lens and a 12MP 2/3" CMOS
sensor. It has a retro style look, similar to the
previously released
Fuji FinePix X100. The X10 also features an optical
viewfinder, a pop-up flash, and a dedicated TTL flash
compatible hot shoe. The body base and top control panel
are made from magnesium alloy (full specifications follow the end
of this review).
I bought the Fuji X10 to replace
my Nikon D50 DSLR as my carry around camera. I wanted a
camera that was small. Not necessarily pocketable, but
one that I could carry in a small case attached
to my belt. The camera I was looking for needed to have
external controls for easy operation, a high quality
lens, an optical viewfinder, and a flash. The camera
also needed to produce low noise images relative to it's
sensor size. After reading lots of reviews and forum
discussions online and trying out a few cameras in
person the X10 seemed to be my best choice.
I considered the Canon S95 and
newly released S100 but neither have a viewfinder. I
also took a look at the Panasonic LX5 and the Olympus
XZ-1, but again both lack a viewfinder. I know several
cameras, including some mirrorless systems, have add on
viewfinders which usually attach to the hotshoe. But I really wanted a dedicated viewfinder
which didn't add size to the camera. I considered the
mirrorless cameras but I really didn't want to invest in
another system at this time. Plus, most of the
mirrorless cameras don't have viewfinders. I did take a
long look at the Sony NEX-5N. Since it has an APS-C CMOS
sensor I was considering the trade off between the lack
of a viewfinder and the superior image quality produced
by the larger sensor. But the mirrorless Sony lenses are
just too big.
I also considered the new Nikon 1 System.
Again, I'd rather not invest in a new system, but I was
thinking about buying the camera and just the 30-110mm lens.
But the Nikon J1 doesn't have a viewfinder. However,
the Nikon V1 does. Unfortunately, the V1 doesn't have a flash.
Nikon does offer an external flash for an extra $150,
but then I'd be building a system, which I don't want to
do. Plus, the Nikon V1 with the 30-110mm lens costs
$899, which is a little more than I wanted to spend. I
also considered a few other cameras like the Nikon
Coolpix P7100 and the Canon Powershot G12, but there was
nothing out there that really excited me. Then the Fuji
X10 came along. I love the retro look and it has all
the features I'm looking for, so I decided to give it a
test run. The X10 is definitely smaller
than the camera it's replacing, my Nikon D50 with the
AF-S
DX 35mm f/1.8G lens. I know image quality from the D50
is superior, but it's a trade off with the size
difference. Below you can see the size difference of the
two cameras side by side.

The build of the Fuji X10 is
solid. It's comfortable to hold. I have small hands
though. Someone with larger hands may think differently. I
found it easy to access the external controls. The mode
dial is really stiff and requires some force to turn it,
as does the exposure compensation dial. The mode dial
has eleven different positions, P,S,A,M, Auto, Movie, C1
& C2 (custom), SP (scene mode), EXR (optimizes settings
to reduce noise, increase dynamic range, or improve
clarity), and Adv (Advanced, which has three sub modes,
Motion Panorama, Pro Focus, and Pro Low-Light). There's
also a Function button on top which is set to control
ISO by default. Back panel buttons include Playback, AE, AF,
WB, AEL/AFL, and two command dials. On the front of the
camera is a focus mode selector (AF-S, AF-C, or MF). The
Function menus are fairly straight forward and easy to
navigate. The viewfinder is sharp thanks to the diopter
adjustment control which is located just to the left of
it. The viewfinder coverage is 85% and displays no
information. Overall the handling of the X10 feels like
a mini DSLR.
I found the lens on the Fuji X10
to be exceptional. It's sharp all over. There is a
little barrel distortion on the wide end, but it's
barely noticable unless you shoot straight lines. Using
the lens indoors shouldn't be a problem thanks to the
F2.0-2.8 aperture. The autofocus is suprisingly fast.
Using the Fuji X10 for sports or action shots would be
pushing it a bit, but for casual shooting it's more than
quick enough. Noise levels are excellent considering the
small sensor size. Using the default Standard Noise
Reduction setting I found the noise level from ISO 800
to be completely acceptable. At ISO 1600 the noise was
more visible, but still very good. It would only be a
problem when making large prints. At ISO 3200 the noise
is much more visible. But even at this level images for
the web look very good. Here's a shot
taken at ISO 1600. Click on the photo to see the image
at 50%.

The default colors the Fuji X10
produces are fantastic. For the most part I didn't
change any of the default settings. JPEGs straight out
of the camera look great. I found the auto white balance
to be very good. The X10 usually nailed it. Metering is
also very good. One nice feature of the X10 is EXR Mode
which is designed to optimize the camera settings based
on your subject. With EXR Mode you have four choice,
Auto, Resolution Priority, High ISO & Low Noise, and
D-Range Priority. In D-Range Priority Mode DR is
increased at the expense of less resolution as you can
only shoot 6mp images. In Scene Mode you have a choice
of sixteen different scenes. I personally don't care for
them but they are there if you want them. Another
similar feature which is accessed from the menu is Film
Simulation where you can choose eight different types of
film effects, ie Velvia and Sepia. I prefer to make such
adjustments in post processing, but I will admit that
B&W and Sepia didn't look bad. The X10 also has an
Advanced Mode which "combines "point-and-shoot"
simplicity with sophisticated photographic techniques",
as per the owner's manual. There are three Advanced
Modes, Panorama, Pro Focus, where the camera takes up to
three photos and softens the background, and Pro
Low-Light, where the camera takes four shots and
combines them into one to reduce noise and blur
under low light conditions. I found that Panorama works
fairly well, Pro Focus doesn't look so good, and Pro
Low-Light is just ok.
THe Fuji X10 also has a Macro
and Super Macro mode which lets you get extra close to
your subject. Both work very well. Manual Focus on this
camera stinks. It's awkward to use and hard to get
perfect. The HD video is good. I'm not very big on video
so for me it's more than adequate. For someone looking
for top quality video this isn't your camera. The pop-up
flash is what you would expect on a camera this size.
It's not great , but does the job. For those that need
more you have the option of using the hotshoe. I tried a
Nikon SB-400 with the X10 but it didn't fire. I also
tried my Nikon SB-800. The SB-800 did fire but didn't
meter properly. I had to adjust the settings on the
flash for every shot which was a real pain. You won't
get much shallow depth of field with this camera and the bokeh
isn't great, but that's to be expected with a sensor
this size. The photo below is an example of the DOF at
112mm and f/2.8.

The Fuji X10 comes with a thin
neckstrap. For a camera this size I prefer a wrist
strap. I'm using the Op/Tech Cam Strap-QD. You can read
my brief review of it
here. I was a bit surprised that Fuji didn't include
some type of screen protector with the camera. I decided
to splurge a little and bought the Giottos AEGIS Professional Glass Optic Screen Protector - 12 Layer for 2.7" LCD
from B&H Photo. It's very thin and when applied looks like part of the
camera. It's much better than the plastic film
protectors like the ones you put on a cell phone. I also
wanted a case that I could carry on my belt. I couldn't
find any small camera cases that were thick enough. I also
looked at phone, GPS and two-way radio cases, but
couldn't find anything that was small enough to
carry and large enough to hold the X10. I finally found a
camera lens case that wasn't
too big which could hold the camera. The Mountainsmith LC1 Lens Case, Extra Small,
also available from B&H Photo, is just what I was
looking for. The X10 fits in it on an angle and doesn't
move around. It has a belt strap and a neck strap as
well. It also has a pouch in the cover which can hold
extra batteries. When worn on my belt it does stick out
a bit, but it's light enough that I don't even notice
it. The life of the NP-50 battery that comes with the
camera isn't the best. It's rated for only 270 shots.
But third party batteries can be bought cheap on eBay.
Below is a photo of the X10 in the lens case.

Overall the Fuji X10 is a great
little camera. It produces outstanding quality photos.
It's more than a point and shoot, but less than a DSLR.
It's definitely an enthusiast's camera that offers lots
of control. It also features plenty of scene modes and
effects for those that want the camera to do most of the
work. It won't fit into a pants or shirt pocket. You'll
need a jacket or small case if you want to carry it
everywhere.
Update
(Aug. 31, 2012) -I'm leaving the info about the
white dot syndrome (orbs) in the review for
reference. Fuji's new sensor fixed the problem.
Update (Feb.
09, 2012) - Fujifilm has released firmware
version 1.03 in an effort to correct the white dot
syndrome, along with several other
corrections/improvements. I have a separate page
dedicated to the upgrade with comments and images
here.
Update (Dec.
7) - Fujifilm has released a statement
concerning the white dot syndrome. They claim the X10 is
basically working as it should and the phenomena is
caused by sensor blooming. Furthermore, such blooming is
not uncommon with other digital cameras. That may be so,
but I don't think I've ever seen it so extreme. A
firmware update is in the works to lessen the effects
(not remove it). I guess I was wrong about my theory
that it was a software problem. For now I'll keep my
original update on the site. Fuji's statement...
'Fujifilm
engineers have examined a number of sample shots and
have concluded that the camera is working within
prescribed tolerances. The blooming issue is something
not uncommon to many types of digital camera. It is
possible to reduce the effects of blooming either by
increasing the ISO or widening the dynamic range on the
camera. However, after receiving a number of comments
from users, we can understand their concern and plan a
firmware upgrade to lessen the effects of blooming. We
will announce in due course when the upgrade will be
available.'
Update (Dec. 2) - There's been a
lot of discussion on the internet forums about white
dots (blobs, spots, orbs), appearing in images that have
highly reflective surfaces and or blown highlights.
Known as WDS (white dot syndrome) or WBS (white blob
syndrome), this phenomena has been causing concern for
Fuji X10 owners. Yes it does exist. I'm not sure what's
causing it. Through my testing I couldn't get consistent
results as to when they appeared. It does seem that the
problem occurs more at lower ISOs. At ISO 400 and above
I rarely saw any of the dots. Below is an example (100%
crop) of a white dot on the front grill of an SUV (click
on the image to see a resized version of the entire
SUV).

You'll notice there is motion
blur in the image. That was intentional on my part in
trying to determine the cause of the white dots. You'll
also notice there is no blurring of the dot. This leads
me to believe that the dot is caused by a software
algorithm and is not a product of the lens or the
sensor. My reason being that since there is no blurring
of the dot it developed after the light passed through
the lens and after the light was recorded by the sensor.
Then again, I don't know a lot about this stuff so I may
be totally wrong. If it is a software issue hopefully
Fujifilm can correct it with a firmware update. I can
understand why some people are turned off by this. I've
seen some ugly looking photos with white dots all over
them. Personally, I'm not going to worry about it too
much. Is it a problem, yes. Should Fuji have released a
camera that has such an issue, especially at it's
current price point, probably not. But since I'm aware
of the problem I just need to be a little more careful
about what I shoot and how I shoot it. The bottom line
is the Fuji X10 still produces exceptional photographs.
Specifications:
| Model Name |
FUJIFILM X10 |
|
Number of effective
pixels*1 |
12.0 million pixels |
| Image sensor |
2/3-inch EXR CMOS
with primary color filter |
| Storage media |
- Internal memory
(approx. 26 MB)
-
SD / SDHC /
SDXC(UHS-I) memory card*2
|
| File format |
- still image
-
JPEG (Exif Ver
2.3)*3, RAW (RAF format), RAW
+ JPEG
(Design rule for Camera File system
compliant / DPOF-compatible)
- movie
- H.264 (MOV) with Stereo sound
|
| Number of recorded
pixels |
L : (4:3) 4000 x
3000 / (3:2) 4000 x 2664 / (16:9) 4000 x
2248 / (1:1) 2992 x 2992
M : (4:3) 2816 x 2112 / (3:2) 2816 x 1864 /
(16:9) 2816 x 1584 / (1:1) 2112 x 2112
S : (4:3) 2048 x 1536 / (3:2) 2048 x 1360 /
(16:9) 1920 x 1080 / (1:1) 1536 x 1536
<Motion Panorama>
360° Vertical 11520 x 1624 Horizontal 11520
x 1080
180° Vertical 5760 x 1624 Horizontal 5760 x
1080
120° Vertical 3840 x 1624 Horizontal 3840 x
1080 |
| Lens |
- name
- Fujinon 4 x optical zoom lens
- focal length
- f=7.1 - 28.4 mm, equivalent to 28 -
112 mm on a 35 mm camera
- full-aperture
- F2.0 (Wide) - F2.8 (Telephoto)
- constitution
- 9 groups 11 lenses (3 aspherical
glass molded lenses included)
|
| Digital zoom |
Intelligent digital
zoom approx. 2x (up to 8 x when combined
with optical zoom) |
| Aperture |
F2.0-F11(Wide)
F2.8-F11(Telephoto) 1/3EV step (controlled
7-blade aperture diaphragm) |
Focus distance
(from lens surface) |
- Normal
-
Wide : Approx.
50 cm / 1.6 ft. to infinity
Telephoto : Approx. 80 cm / 2.6 ft. to
infinity
- Macro
-
Wide : Approx.
10 cm - 3.0 m / 0.3 ft. - 9.8 ft.
Telephoto : Approx. 50 cm - 3.0 m / 1.6
ft. - 9.8 ft.
- Super Macro
- Approx. 1.0 cm - 1.0 m / 0.4 in. -
3.3 ft
|
| Sensitivity |
Auto / Equivalent to ISO 100 / 200 / 250 /
320 / 400 / 500 / 640 / 800 / 1000 / 1250 /
1600 / 2000 / 2500 / 3200 / 4000* / 5000* /
6400* / 12800* (Standard Output Sensitivity)
- * ISO4000 / 5000 /
6400 : M mode or lower, ISO12800 : S
mode
|
| Exposure control |
TTL 256-zones
metering, Multi / Spot / Average |
| Exposure mode |
Programmed AE,
Aperture Priority AE, Shutter Priority AE,
Manual |
| Shooting modes |
- SP
- Natural Light, Natural Light &
Flash, Portrait, Portrait Enhancer,
Landscape, Sport, Night, Night (Tripod),
Fireworks, Sunset, Snow, Beach, Party,
Flower, Text, Underwater
- MODE DIAL
- EXR, AUTO, P, S, A, M, C1, C2,
Movie, SP, Adv.
|
| Image stabilizer |
Lens shift type |
| Face detection |
Yes |
| Exporsure
compensation |
-2.0EV - +2.0EV
1/3EV step |
| Shutter speed |
(Auto mode) 1/4 sec.
to 1/4000* sec., (All other modes) 30 sec.
to 1/4000* sec.
* 1/4000 sec. at small aperture, 1/1000 sec.
at full aperture |
| Continuous shooting |
- TOP
-
Super High :
approx. 10 fps (Size M, S)
High : approx. 7 fps (Size L, M, S)
Middle : approx. 5 fps (Size L, M, S)
Low : approx. 3 fps (Size L, M, S)
*SD memory card with a class 4 write
speed (4 MB/sec.) or better is
recommended.
*The frame rate varies depending on the
shooting conditions or numbers of frames
in continuous shooting.
- others
-
Best Frame
capture :
Super High : approx. 10 fps 8 / 16
frames (Size M, S)
High : approx. 7 fps 8 frames (Size L,
M, S) / 16 frames (Size M, S)
Middle : approx. 5 fps 8 frames (Size L,
M, S) / 16 frames (Size M, S)
Low : approx. 3 fps 8 frames (Size L, M,
S) / 16 frames (Size M, S)
|
| Auto bracketing |
AE Bracketing :
±1/3EV, ±2/3EV, ±1EV
Film Simulation Bracketing : PROVIA /
STANDARD, Velvia / VIVID, ASTIA / SOFT
Dynamic Range Bracketing : 100%, 200%, 400%
ISO Sensitivity Bracketing : ±1/3EV, ±2/3EV,
±1EV |
| Focus |
- mode
-
Single AF /
Continuous AF (EXR AUTO, Movie),
Manual AF (One-push AF mode included)
- type
- TTL contrast AF, AF assist
illuminator available
- AF frame selection
- Multi, Area, Tracking
|
| White balance |
Automatic scene
recognition
Preset : Fine, Shade, Fluorescent light
(Daylight), Fluorescent light (Warm White),
Fluorescent light (Cool White), Incandescent
light, Underwater, Custom, Color temperature
selection |
| Self-timer |
10 sec. / 2 sec.
delay |
| Flash |
Auto flash (super
intelligent flash)
Effective range : (ISO AUTO (800))
Wide : Approx. 30 cm - 7.0 m / 0.9 ft. -
22.9 ft.
Telephoto : Approx. 50 cm - 5.0 m / 1.6 ft.
- 16.4 ft. |
|
Flash modes |
Red-eye removal OFF : Auto, Forced Flash,
Suppressed Flash, Slow Synchro.
Red-eye removal ON : Red-eye Reduction Auto,
Red-eye Reduction & Forced Flash, Suppressed
Flash, Red-eye Reduction & Slow Synchro.
|
| Hot shoe |
Yes |
| Viewfinder |
Optical zoom
viewfinder
Approx. 85% coverage
Diopter adjustment : -3.5 - +1.5 m-1(dpt)
|
| LCD monitor |
2.8-inch, approx.
460,000 dots, TFT color LCD monitor, approx.
100% coverage |
| Movie recording |
1920 x 1080 pixels
/ 1280 x 720 pixels / 640 x 480 pixels (30
frames / sec.) with stereo sound
Optical zoom (manual) can be used.
|
| Photography
functions |
EXR mode (EXR Auto /
Resolution priority / High ISO & Low noise
priority / Dynamic range priority), Face
recognition, Face Detection, Auto red-eye
removal, Film simulation, Framing guideline,
Frame No. memory, Histogram display, Best
frame capture, Advanced mode (Motion
panorama360, Pro focus, Pro low light), High
Speed Movie (70 / 120 / 200 frames/sec.),
Electronic level, One-touch RAW, Advanced
Anti Blur, Color Space |
| Playback functions |
Face Detection,
Auto red-eye removal, Multi-frame playback
(with micro thumbnail), Protect, Crop,
Resize, Slide show, Image rotate, Voice
memo, Histogram display, Exposure warning,
Photobook assist, Image search, Favorites,
Mark for upload, Panorama, Erase selected
frames, RAW conversing |
| Other functions |
PictBridge, Exif
Print, 35 Languages, Time difference, Silent
mode |
| Terminal |
- Video output
- NTSC / PAL selectable with Monaural
sound
- Digital interface
- USB 2.0 High-Speed
- HDMI output
- HDMI Mini connector
|
| Power supply |
NP-50 Li-ion battery
(included)
CP-50 with AC power adapter AC-5VX (sold
separately) |
| Dimensions |
117.0(W) x 69.6(H)
x 56.8(D) mm / 4.6(W) x 2.7(H) x 2.2(D) in. |
| Weight |
Approx. 350 g / 12.3
oz. (including battery and memory card)
Approx. 330 g / 11.6 oz. (excluding battery
and memory card) |
| Operating
Temperature |
0°C - 40°C |
| Operating Humidity |
10% - 80% (no
condensation) |
| Guide to the number
of available frames for battery operation |
approx. 270 frames (LCD : ON, AUTO mode)
CIPA standard
approx. 640 frames (LCD : OFF, AUTO mode)*
-
* For
expanding available number of frames,
following menu must be set
LCD display : OFF (Only optical view
finder must be used)
Shooting mode : AUTO , Flash : OFF,
IS mode must be set except for the mode
including “MOTION (detection)”.
IMAGE DISP. mode : OFF
|
| Accessories included |
Li-ion battery NP-50
Battery charger BC-45W
Shoulder strap
Lens cap
USB cable
CD-ROM
Owner's manual
|
| Optional
accessories |
Li-ion battery
NP-50
Battery charger BC-45W
A / V cable AV-C1
Lens hood LH-X10
Leather case LC-X10
Shoe Mount Flash EF-42 / EF-20
AC power adapter AC-5VX
DC coupler CP-50
|
- *1
Number of effective pixels: The number of pixels
on the image sensor which receive input light
through the optical lens, and which are
effectively reflected in the final output data
of the still image.
- *2
Please see the Fujifilm website to check memory
card compatibility.
- *3
Exif 2.3 is a digital camera file format that
contains a variety of shooting information for
optimal printing.
For additional info visit
Fuji's product page.
|